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Anya Roberts-Toney’s “Soft Curses” at Stephanie Chefas Projects.

Currently on view at Stephanie Chefas Projects in Portland, Oregon is artist Anya Roberts-Toney’s solo exhibiton, “Soft Curses.”

In her latest collection of work, Roberts-Toney explores feminine power and the hope she experiences through both witnessing and embracing that power. Consequently, her paintings come imbued with formidable energy, the kind of which invokes a perennial sense of much-needed change.

“A curse is a spell that lingers. It’s a means for a ritual. A tool for a conjuring. Capable of hope. The supposition of power.”, states Roberts-Toney. “The paintings in this series begin with the premise of hope and the simple shape of a horizontal ring of flowers, or sometimes just the ring itself. The ring has a feminine quality, and I think of it as a location for ritual or a space for transformation. I don’t know exactly what the ritual will bring, or what will arise from the transformation, but I hope that it is something good.”

The exhibition is on view until January 25th, 2019.


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Source: supersonicart.com
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Daniel Bilodeau’s “State of the Art” at Thinkspace Projects.

Currently on view at Thinkspace Projects in Los Angeles, California is artist Daniel Bilodeau’s mesmerizing solo exhibition, “State of the Art.”

Thinkspace says of Bilodeau: “[his] paintings and mixed media works borrow freely from art history, observation, subject portraiture, and personal association. He references everything from Seventeenth-Century Dutch still-life painting to Sixteenth-Century Italian Mannerist Agnolo di Cosimo, known more famously by the epithet Bronzino, and Nineteenth-Century French Neoclassicist Jean Auguste Dominique Ingres, among others. His subject is assembled through a revisionist appropriation of images, the collage of cultural debris, and an anachronistic sampling of sources drawn from past and present to produce a strangely exciting, ahistorical subject. Unhinged by the specificity of a singular or unified conception of identity, time, or space, Bilodeau’s portraits reverberate in uncomfortable and factious simultaneities, as though competing apparitional forces are visually ricocheting across spatial registers.”

The exhibition is on view until January 26th, 2019.


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Source: supersonicart.com
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supersonicart

Jang Koal’s “Velvet Hearts” at Corey Helford Gallery.

Gorgeous new paintings by artist Jang Koal for her solo exhibition, “Velvet Hearts,” opening Saturday, January 12th, 2019 at Corey Helford Gallery in Los Angeles, California alongside artists Lauren YSKrista Huot and Tina Yu.

If you’re in the Los Angeles area, absolutely stop by!


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Source: supersonicart.com